LINKS
Филм за "Казимир и Каролине" на БНТ 2
"Литературен вестник" - Опит за портрет от Теодора Захариева
Разговор за списание Homo ludens
За "Народен враг" в "Денят започва с култура", БНТ
Текст на Елена Ангелова за "Дивата патица" в сп. "Homo ludens"
Интервю в сп. "Култура" с Виолета Цветкова
PRESS
about THE ENEMY OF THE PEOPLE / 2014
“The bravest and most honest political spectacle the likes of which has not been seen in years is shown to us not by some fat old director, but by young Kris Sharkov. (…) Ever since “A Doll’s House”, Kris Sharkov has shown his taste in turning the old classics inside out and modernising them completely. In “An Enemy of the People”, the director takes things even further -he has transformed Ibsen’s most political play into something like a bible for his generation. He used the character of the young scientist Thomas to depict the anguish and struggles of his contemporaries, who try to break the status quo with the lack of compromise and energy of youth. The drama this sensitive and intelligent scientist experiences will no doubt be strongly familiar to many thinking Bulgarians.”
- Mariana Purvanova, “Monitor” newspaper
about THE ENEMY OF THE PEOPLE / 2014
“Several directors have already attempted to reflect the revolution from the squares and the ridiculousness in the state that have been part of our lives over the past months, but unsuccessfully and somewhat timidly. However, youth -with its characteristic irreconcilability and rebelliousness, is in favourof Kris Sharkov. His energy, his rebelliousness, is in favourof Kris Sharkov. His energy, his drive, his clarity of vision accompany the action from beginning to end. It exists even in the characters on stage. “
- Denitsa Todorovа, www.suetno.bg
about A DOLL`S HOUSE / 2011
“The text is that of Ibsen, but his characters have undergone a remarkable transformation – they have turned into 21st Century people. Helmer is an ambitious, yuppie bank manager, a narcissistic prig, very business-like, dynamic, with strange squats and thrusts of the chest; then is the nightingale, squirrel-like Nora – a Nordic beauty with the calisthenics of a public figure, whose day passes in serving Helmer’s sexual whims stretched out in her lounge, her doll’s house Ibsen’sstory remains intact; it is still a bourgeois drama, but a drama of the bourgeois in the 21st century, not that of the 19th. The provocative director decision, which leaves a ringing in the ears like the famous Thomas Ostermeierin Schaubühne, does not prevent us from saying that this is a structured performance. Modern, ironic, attacking in its own way consumer society in which there is no room for soulful whims. “
- Penka Kalinkova
‘Когато всичко завършва със снимка’
- Елена Ангелова
За ‘Дивата патица’ по Хенрик Ибсен в Народен театър ‘Иван Вазов’
- Йордан Георгиев
